http://www.mikeoutram.com/2009/06/the-jewel-box-no1-targeting-chord-iv-in-a-blues/ Fri, 20 Jan 2012 16:23:21 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://www.mikeoutram.com/2009/06/the-jewel-box-no1-targeting-chord-iv-in-a-blues/comment-page-1/#comment-437 Mike Outram Mon, 26 Oct 2009 22:40:08 +0000 http://www.mikeoutram.com/?p=452#comment-437 Nice one, Chris. Which Wes thing is that from? I guess you could see it as being a ii V as well D-11 G13 etc. Nice one, Chris. Which Wes thing is that from? I guess you could see it as being a ii V as well D-11 G13 etc.

]]> http://www.mikeoutram.com/2009/06/the-jewel-box-no1-targeting-chord-iv-in-a-blues/comment-page-1/#comment-435 Chris Lomzik Mon, 26 Oct 2009 12:17:52 +0000 http://www.mikeoutram.com/?p=452#comment-435 That whole tone example reminds me of a similar idea from Wes Montgomery which uses 11's and 13's. Over 4 bars (2 beats per chord) descend from G11 at fret 13 (FACG) to G13 (FABE); repeat that down a tone 3 times, finally resolving down a semitone to C13 (BbDEA) That whole tone example reminds me of a similar idea from Wes Montgomery which uses 11′s and 13′s. Over 4 bars (2 beats per chord) descend from G11 at fret 13 (FACG) to G13 (FABE); repeat that down a tone 3 times, finally resolving down a semitone to C13 (BbDEA)

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