This is one way I like to use the diminished scale:
Take plain sounds and add one or two other notes from the diminished scale.
You decide which notes…
More chords from G diminished.
The second column is a diminished triad with a major 7th on top. E.g., B D F A#. the third column is a different way of writing the same thing: Bb/B – a Bb triad over a B bass note. Whatever works for you.
So, in the diminished scale there are a lot of chords, eh?
Diminished triads and sevenths on every degree of the scale, and many chords that repeat at intervals of a minor third.