The Things Unique To You

by Mike Outram on 2010/09/02

How do you develop a sound, a style? It could be by chance; it could be by eliminating all the things you do that come from things you’ve seen or heard; it could be by evolving things you already do into areas you haven’t thought about before; it could be by combining new things. Sometimes, though, we look to others for the answers of what to do, where to go, where to start.

Try this.

Photo by Robert D. Bruce on FlickrWhere were you born?
What do you like to do?
Describe your day
Describe your first memory
Where do you like to be?
Who are your friends?
How’s your hair?
Any aches and pains?
Your favourite sensation?
What do you like to taste?
A good story you’ve heard?
What happened when you were five?
Who’s not here?
When did you hit your head?
What would you like your last thought to be?
Ever been high up?
Ever been underground?
Ever gone fast?
Ever lost it?
What do you have that no-one else has?
How can you do something you do differently?
Imagine something that can’t exist

Do you know anyone else with the same answers as you?

Thought not.

There’s only you that’s you.

Why not let us know about it?

Put it all in.

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What do you think about when you play?

by Mike Outram on 2010/09/01

What do you think about when you play? Oft-heard responses start around, “Nothing, man” and end up approaching misty-eyed ramblings about picking fruit or cooking. Certainly there’s magic and mystery lurking in those improvisatory hills…

Here’s a little diagram to help explain what I think goes on in YOUR HEAD when you’re improvising: The centre-line represents time passing. The dot in the middle represents now. To the left is the past; to the right the future. The diagram in my head is a saw-tooth wave, or possibly a cartoon cat being electrocuted.

In any given moment we have an ever-decreasing awareness of the past and the future. I’m more aware of what happened three seconds ago and less aware of what happened three minutes ago. Likewise, I’m more aware of what might happen in three seconds and less aware of what might happen in three minutes. Awareness gets fuzzier the further away in time you go, in either direction, from the present moment.

You can’t be thinking of ‘nothing’ when you’re playing. If you’re unaware of what just happened, then what you played ‘now’ would have no meaning, no development, because it would always be a new thing. If you’re unaware of where you’re going, then what you just played would have no direction, you wouldn’t feel resolution points, phrase endings and so on.

Where it all goes wrong is when you get seduced by the past or the future: things like, “that was rubbish”, “that was amazing”, “I loved that feel”,  “so and so is in the audience”, “I’m going to mess this up”, “somebody is filming this, what if it gets on YouTube”, etc. If you find yourself thinking thoughts along these lines then you’re not really in the present.

So ideally you want to always be in the present and just playing.

Hi! Welcome to Nirvana.

Trouble is, it’s the stuff of magic. Maybe what’s involved is knowing your stuff cold, or maybe being totally ignorant, or maybe it’s just not giving a flying fuck about anything, maybe it’s just loving what you do. Maybe it’s just giving up holding on to thoughts (!) and just getting on with doing whatever it is you do because it’s just more fun if you do that. Being judgmental or anxious is tiring.

Obviously I’ve got no idea what was going on in Ronnie O’Sullivan’s mind at the time he did this. But I’d suspect there was not a lot of mental chatter about the previous game or the last black, just a lot of doing. But who knows? it could be that while he did this there was a constant internal battle to stay present, and maybe that’s what makes a Ronnie O’Sullivan?

I’d be interested to hear if anyone has any experience in areas where you have to be ‘always on’: Air-Traffic Controller? A Surfer? A Comedian? A High-Wire Walker? A job or an activity where there’s not much room for mind-wandering or coasting. I think those people would have some interesting things to say about focus and being in the present moment. And how to get better at being there.

What do you think? Have you gotten better at this? Do you meditate? How does that affect your focus? When you’re in the moment, can you can mess about with it? Do you do an activity where you can more easily be in the present? Anyone studied Situational Awareness? Feel free to chime in with any thoughts on the matter…

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New Live Vault recordings

August 30, 2010

Here are three Live Vault recordings from this year. As always, they are free to download, so please, help yourself; have a listen; come to a gig! The first two are from the London Horns. We recorded a studio album a couple of months ago and that’s almost finished and it is sounding splendid. Here’s [...]

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Make a start. Keep going. Don’t give in.

August 29, 2010

You have twenty books you want to read/study, but you’re overwhelmed, you don’t know where to begin, or you keep going over the same material. Here’s something I’m doing at the moment that’s working for me. Try it. Some rules: Go through each book from the start to the finish. Make a start! Open a [...]

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Tempo Memory

August 23, 2010

Kind of a half-finished – actually not finished at all – type post, but as I’ve got 50 unfinished posts lurking around – and an unfinished book… I figure I’ll just get on with it and see what happens. Maybe it’ll be useful to you… So – I need you! We need you! – To [...]

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Purge

August 1, 2010

My days: a cyclical, phasic lifestyle of whims and fancy, the latest of which involved removing all that I own from view in my studio. What was a wall of books, tapes, CDs, records, magazines, ephemera and so on, which, being sporadically looked at, had all the attributes of an attention vampire, is now the [...]

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